HQ Ribera del Duero Wine, Roa, Spain, by Barozzi Veiga
More at: Eikongraphia
Thomas Kinslow and Simon Ungers. (German, 1957-2006). T-House, Wilton, New York. 1988-92. Steel and plywood.
Permanent Collection MoMA
The house is located at the top of a hill and enjoys panoramic views of quintessentially Australian landscape. It is partially embedded into the hilltop as a means of protecting the occupants from the prevailing weather and buffering the west side of the building from extreme heat in summer.
Our clients are committed to environmentally sustainable design and the building skin which is an identifiable part of our work includes solar collectors for power and hot water. Other elements such as double glazing, rainwater harvesting and digital power management make this apparently simple house a sophisticated device for passive environmental management.
Glenburn House, Glenburn, Victoria, Australia, by Sean Godsell
The new D&G headquarters in Milan contains the showrooms for the collections, offices, a restaurant and a series of image spaces. Two buildings dating back to the 1920s and the 1960s, facing three streets, are combined in a complex with five floors above ground. The project is based on an architectural principle of great rigor, with the use of natural materials like white Namibia stone, glass and unfinished steel sheet.
Dolce & Gabbana Headquarters, by Studio Piuarch
Photography by Luke Hayes
House in Minami-Boso, Chiba, Japan by Kiyonobu Nakagame & Associates
A defining structure of 20th-century modern architecture, this is one of the masterpieces of the world-reknowned architect Ludwig Mies van der Rohe. Designed to house Illinois Institute of Technology’s departments of architecture, planning, and design, the building’s dramatic, structurally-expressive form resulted from the need to create an open interior space that could be flexibly adapted for changing needs and uses. Instead of interior columns, the roof is hung from exposed steel trusses bridging the depth of the building.
Designed in the early 1950′s and finished construction in 1956. Described by Time Magazine as “the world’s most influential, inspiring and astonishing structures” Crown Hall is a breathtaking, free space; intimidating with its jet black, sharp lines, while entirely inviting and open with its gigantic windows.
I had spent my first 2 Years at the Institute of Design in the basement of this building and what struck me at the time was the perfect proportion of each and every window. The building leaked when it rained, and the students did everything to block out the dazzling light so they could work. The vast open air space and the freestanding wood paneled core set the personality for the interior.
Crown Hall, by Mies van der Rohe
Article: Wrestling with the Legacy: Metropolis
Buy the Book: Mies van der Rohe: A Critical Biography