Set at the foot of a steep escarpment in the Wicklow hills, this house, with it’s elevated living accommodation, allows the fluidity of the surrounding landscape remain uninterupted, whilst also giving the occupant a raised vantage point from which to engage with nature.
Private Residence, County Wicklow, Ireland by ODOS Architects
The site faces the sea and has deep depth, it slopes toward the sea by around 2 meters. The architects arranged the house in the center of the site. The shape of the house is like a wedge spread towards the sea. The white gravel acts as an interior space, bringing the outdoors inside.
Garden and Sea, by Takao Shiotsuka Atelier
Kunsthülle LPL is a temporary installation for a major new venue for contemporary art in Liverpool. The rooftop structure is a playful and experimental space for lectures, performances and events. It appears to merge into the old factory, incorporating an existing staircase, the rooftop, and extending out over the public façade of the building.
Inspired by the regeneration of Liverpool, the Kunsthülle LPL alludes to the industrial heritage of this former factory complex and surrounding buildings. Liverpool’s architectural landscape combines a large-scale World Heritage Site, decrepit buildings and a variety of renovations, refurbishments and new builds. It is an inspiring mix. The feeling of growth is palpable and the Kunsthülle LPL aims to engage audiences in a wider debate about the built environment.
London-based architects Eldridge Smerin have completed a house overlooking Highgate Cemetery, London’s greatest Victorian cemetery. The house has two distinct facades: the side facing the cemetery is mostly glazed, while the street-facing elevation is fabricated from black granite, translucent glass and black steel panels.
Villa 1 is a woodland house in the Veluwe Zoom area near Arnhem in the Netherlands, has won an award as the ’best private interior’ at the Dutch Design Awards Set in the woodlands of Holland, the house is oriented optimal towards the views on the terrain and the sun. Half is pushed below ground to meet local zoning regulations. This creates a clear dichotomy in the spatial experience of the house – a glass box ground floor where all mass is concentrated in furniture elements and a ‘medieval’ basement, where the spaces are carved out of the mass.
Villa 1, Arnhem, Netherlands, by Powerhouse Company
Towada Art Center is the centerpiece of the Towada Arts Project, an initiative to convert the main road through the city into a dynamic art space in order to emphasize the rich cultural history of the city.
Towada Art Center, Towada, Japan, by Ryue Nishizawa
Photography by Iwan Baan
The geometry of the building is based on the footprint of the house that previously was located on the site, originally built in 1984 and with many extensions and modifications since then. The new building echoes the “family archeology” by duplication and rotation. Lifted up, it creates a semi-public space on ground level between two layers of discretion.
The Johanna House is made of concrete, glass and steel on a secluded 100 acres of pristine bush land adjoining a national park with extensive views of the ocean; a protected wilderness area with endangered flora and fauna. No trees were cleared for this project.
Discretly inserted into the landscape, the 4 bedroom house, is a journey of gradual and layered concealment and opening of the landscape and ocean; contrasting contraction and expansion, heavy and light, opaque and transparent. Pure geometry and detailing to create a stillness, a dematerialising interconnection with nature, landscape and the passing of time, place and present.
Johanna House, Victoria, Australia, by Nicholas Burns Associates
House D, Rožna dolina, Ljubljana, Slovenia, by Matija Bevk, Vasa Perović, Uršula Oitzl, for Bevk Perović Arhitekti
The New Museum, designed by Tokyo-based architects Kazuyo Sejima and Ryue Nishizawa of SANAA is the first art museum ever constructed from the ground up in downtown Manhattan.
Sejima and Nishizawa, who received the commission in 2002, have described the building as their response to the history and powerful personalities of both the New Museum and its storied site. “The Bowery was very gritty when we first visited it,” they have said. “We were a bit shocked, but we were also impressed that a contemporary art museum wanted to be there.”
“In the end, the Bowery and the New Museum have a lot in common. Both have a history of being very accepting, open, embracing of every idiosyncrasy in an unprejudiced manner. When we learned about the history of the New Museum we were flabbergasted by its attitude, which is very political, fearless, and very tough. The New Museum is a combination of elegant and urban. We were determined to make a building that felt like that.”
Shift: SANAA and the New Museum
Edited by Joseph Grima, Lisa Phillips and Karen Wong
The highly anticipated catalog dedicated to the New Museum’s stunning new building is here! The first museum to be developed from the ground up in Lower Manhattan. Finalized only after the building was complete, the essays, images, and architectural renderings contained within this book allow for a unique and thorough insight into the numerous stages of the institution’s transformation into a landmark destination.
Softcover; 136 pp; 200 color images, architectural renderings.
Buy it Here: Amazon