This house does not look like the house. The shape of the house traces the boundary of the village. The village consists of six houses in all. The shape of the village could be done by making it by stone wall in old times. The project site is located on the north edge of the village that is in the prominent place, and makes the face of the village.
Horizontal House, Shiga, Japan, by Eastern Design Office., Inc
Brazilian architect Marcio Kogan has won a Yellow Pencil in this years D&DA Awards.
French architect and landscape designer Edouard François was encharged of the renovation and façade design of the Fouquet’s Barrière Hotel in Paris, which is located in one block facing Avenue des Champs Elysées. The architect mission was the general plan of the whole hotel, including courtyards, administration offices and a spa service, spread on different plots of the “golden triangle”, and the design of new facades for extensions. The surrounding area is the most elegant and expensive of the whole metropolis, and very significant in terms of architecture and relation with the context.
The Saphire Gallery is a residential gallery addition to a private residence. It is designed to display a private collection of contemporary art while also providing for a home office with views to the sorrounding hills.
The new structure is grafted onto the circulation spine of the existing house and lifted off the ground to provide a minimal footprint. Freeing the ground plane creates a new multi-functional hardscape/landscape area for the family that they use as carport, children’s play area, for art parties and video projections. A structural system of lightweight braced frames was developed.
The Johnson house, Pierre Koenig’s only building in Northern California, was built on a 20-by-20-foot grid. Glass curtain walls open the house to the landscaping and expansive views. A see-through central fireplace forms the centerpiece of the open-plan living-dining area.
Koenig’s additions in 1988 included two new bedrooms, filling the former carport and entry, and providing a new carport in an added wing. The project also involved stripping away a dropped ceiling, wood veneer paneling that hid the steel siding, bay windows, and Victorian-style beveled-glass doors.
“It’s absolutely, completely functional and complete and honest in the delight of its revealed structure. It’s so simple and beautiful, so unadorned. It’s direct and a joy to live in,” Cynthia Riebe says of the house. “I love the night light and how it changes, and the reflections through the interior and the exterior. There’s no boundary between the two.”
The house was restored and expanded by Cynthia and Fred Riebe during the 1990s with the help of Koenig himself. Structure: Steel-framed and steel-sided. The ceilings and exterior walls are unadorned, corrugated steel decking. Laminated wallboard sheathes the interior walls.
Designed by French architect and winner of the Pritzker Prize, Christian de Portzamparc, the Hergé Museum is due to open on June 2nd of this year. The icon that was (and still is) Tintin played a role in most of our childhoods. Even today Tintin and Snowy are making waves in recently translated Chinese copies in Asia. A stroke of comic-book genius, Tintin evolved from the brush of belgian artist Georges Prosper Remi, or as he is more commonly known, Hergé. Unfortunately the masterful Hergé passed away in 1983 but thanks to the new Hergé Museum in Brussels, its not too late to pay hommage to his work.
The house on the beach at Raumati is discreetly folded between neighbours, a very simple form deceptively simply executed. Rooms are large but few, open but with complete privacy. This house demonstrates that a home need not be huge to be made of luxuriously large spaces. All year living is not only practical, but offers the attractions of watching a storm strike the windows while the open fire blazes.
Raumati Beach House, Raumati, New Zealand by Herriot + Melhuish Architecture
The New York Times shows an Image from “Frank Lloyd Wright: From Within Outward,” an exhibition currently on view at the Guggenheim Museum, the models of Wright’s designs are attracting as much attention as the exhibition itself. Perhaps the most notable model is that of Wright’s Herbert Jacobs House #1 of 1936-37, the first of the architect’s pioneering open-plan, energy-efficient Usonian houses. The basswood model takes the house’s components — from its window frames to its innovative copper-piped radiant-heating system — and explodes them, so that they seem to hang in midair.
Frank Lloyd Wright: The Re-Model, at The Moment, New York Times
For decades, the woods and fields of SW Michigan and NW Indiana, with their close proximity to Lake Michigan, have offered Chicagoans weekend reprieves from urban intensity – and a short travel distance. To gain a sense of rural privacy, the owners were looking to experience pastoral views of nature and foliage, more than lake views, in searching for their vacation property. They were fortunate to find the land that fit their aesthetic aspirations and wanted a home that would similarly match their concepts for living.
The cottage was designed with a simple structure, a horizontal wood rain screen of cedar to privatize the entry sequence on the North, and a wall of operable glass on the South. The open plan of the kitchen, dining, living area and porch as one room intensifies the views to meadow and woods to the South and maximizes the solar gain in the winter. Radiant heat in the ground concrete floors is enhanced by passive solar gain, and runs throughout the three-bedroom cottage. The arrangement of the rooms and glass are to maximize views of the outdoor environment, while providing the most energy efficient operation.
Coffou Cottage, Michigan City, Indiana, USA, by Brininstool+Lynch
the holiday house sits as walkable sculptural building in the strong landscape with a square ruin, old retaining walls, large rocks as well as olive groves and oak tree forests. In the south the house has a spectacular terrace with a great view on the sea and with a low, broad parapet. Under the terrace is a further guest room with a bath and cellar. The living space has the atmosphere of a covered outside space and gets maximum glazing on the back too, which releases the view as contrast to the width of the sea on the bizarre rock landscape lying directly behind. Two large movable wall pieces let the living space with kitchen and bedroom become a large flowing area. Outside the oversized staircase dramatizes the hillside situation and connects the guest room and its separate terrace with the house in a generous gesture.
Draeger House, Corsica, by Philippe Stuebi Architekten Gmbh