Casa en la Cala Galiota, Mallorca, Spain, by Joan Riera + Francisco Barceló
Photography by Miguel Coelho
When the international contest for a building that would house the works of Brazilian painter Iberê Camargo, who died in 1994, was launched, it was equally supported by the artist’s family and the local administration, who donated the site near the Padre Cacique road, in Porto Alegre, a city with over one million inhabitants, in southernmost part of Brazil. The site was a difficult one, shaped as a small and tight triangle, surrounded by rocks of around 25 metres in height, offering a great view on the river Guaiba.
In his museum project, Álvaro Siza Vieira incuded exhibition spaces, storage spaces, a library and a video-library, a cafe, a small auditorium, as well as administrative spaces and workshops for artists. Consequently, the building developed vertically, the main volume being dug in the rocky background. The building’s shape moulds upon the nearby slopes and, through a coherent distribution of space, solves the problem of parking, extremely important in such a tight place, situated near crowded arteries.
Ibere Camargo Museum, Porto Alegre, Brazil, by Álvaro Siza Vieira
This is a residence for a family who looks for a more extensive terrain and ampler spaces, without leaving the traditional neighborhood where it has lived for almost 30 years. Located on the east side of Santiago, the main characteristics of the neighborhood are the presence of old growth trees and huge lots with houses that have a limited relation with the street.
The house consists of prefabricated concrete elements, the front and back of the house is made of glass and black anodized aluminum.
The interior includes a dramatic steel handrail, which spans the ten meters long staircase and wraps around seamlessly into the balustrade above. The house is placed to take advantage of the views of a hills and surrounding landscape.
Haus Bold, by Thomas Bendel
Winner of the American Architecture Award, The Chicago Athenaeum, The Tye River Cabin is a structure distilled to a fireplace, windows and a roof. This 1,200 square-foot 2 bedroom retreat is essentially a wooden tent on a platform that opens to the forest and river. Materials are allowed to weather and merge with the site.
Tye River Cabin, Skykomish, Washington, USA, by Olson Sundberg Kundig Allen
Located only 300 meters Southeast of the Parthenon, with an exhibition space of 14,000 square meters and a cost of €130 million, the New Acropolis Museum houses some of the most famous works of classical antiquity. It aims at providing the visitors with a comprehensive picture of the human presence on the Acropolis, from the pre-historic times through late Antiquity, with the advantage of being built on the slope of the Acropolis itself.
Designed as a single-family residence combined with a dance studio, this three-story reinforced concrete building is private and open to the sky, and best of all it has plenty of parking, which comes at a premium in Japan.
Thirty years after Max Ernst’s death, his home town of Brühl opened a museum for their prodigal son. It has been set up in the former Brühl Pavilion, a neoclassical palais built in 1844, where Ernst went dancing as a schoolboy.
Max Ernst Museum: Van Den Valentyn Architektur/SMO Architektur, Hardcover, Pages 64, Illustration 27 colour, 38 b&w illustrations, 26cm x 24cm, ISBN 9783883759494
Buy the Book: Amazon
Model of Modern Wing at the Art Institute of Chicago, Chicago, USA, by Renzo Piano
German architectural photographer, Michael Schnell, has completed a series on two museums dedicated to the car in Stuttgart, the Mercedes-Benz Museum and the Porsche Museum. The structure of the Mercedes Museum is based on a cloverleaf. The semi-circular floors rotate around the central atrium forming horizontal plateaus which alternate in different heights. The Porsche Museum is designed to convey a sense of arrival and approachability, and to guide the visitors smoothly from the basement level into the superstructure.