This house is limited to a single level, it is weightless on the water area that separates it from the entrance avenue. To the left, the entrance shows its gallery wall. Descend a level, the construction frames the view over the fields, the countryside is yours.
To the left, behind you, a series of levels interrupted by stairs that stretch outside bring the profile of the site together. To the right, beyond the overhanging part that covers the dining room, the kitchen benefits from a lateral patio that bathes in the morning sun.
Go down further, the garden continues right up to the old trees in front of a swimming pool that is so long that it takes the liberty to fold back into the building through the fault-line freed up under the built-up framework. It is all arranged for one to feel good: exercise, relaxation, cinema room, enological living room with a direct view over the beautiful cars. Here, the heart is in the bowels of the earth.
Four bedrooms complemented with an office on the mezzanine are arranged at the +1 level, the apartment of the owners is organized higher up on the roof, in a vast room devoid of partitions to make the bedroom into a covered terrace when the weather is good. Here, the heart is in the stars.
Genets 3, Belgium, by Atelier d’Architecture Bruno Erpicum & Partners
Can Durban 2 House, Spain, by Atelier d’Architecture Bruno Erpicum
Architectural model of the Design Museum designed by Conran Roche c.1980s
São Paulo based architect Guilherme Torres has developed ideas which fuse the modern and the traditional. Guilherme’s own house, designed by the architect himself, bears a chequered wood design, a kind of brise soleil called muxarabie, which is a classic feature in Eastern architecture. It was later assimilated by the Portuguese, who brought it to Brazil. This element, with its powerful aesthetic appeal, was adapted to this residence in the South of the country, and acts as a wooden ‘curtain’, allowing air flow, dimming light and also serving as a security feature.
“As soon as I saw the gently sloped plot surrounded by other houses, the idea of this large panel came to me, to ensure privacy for both them and their neighbors.” This monumental house stands out as a huge rectangular monolith with two large brickwork blocks in contrast with the upper volume in concrete. A few columns, huge spans and strategic walls create exquisite fine gardens that make up a refuge for this young couple and their two small children.
The decoration follows a jovial and Brazilian style with an alliance of Guilherme Torres’ design, including sofas and tables, and other great names of Brazilian design such as furniture designed by Sérgio Rodrigues and Carlos Motta. The composition of overlapping these Brazilian styles with international design is balanced by pieces from Tom Dixon and Iranian carpets, all sourced by the architect. The garden, designed by Alex Hanazaki has given the house an ethereal atmosphere due to the movement of Texan plume grass.
Located in a remote corner of southern Utah, this custom residence is a prefabricated structure comprised of 15 steel-framed modules that were designed and fabricated by Marmol Radziner Prefab, an offshoot of the design-build firm of Marmol Radziner, at their production facility in Los Angeles. The building form consists of three main branches that cantilever out over a landscape of sandstone ledge. Deep covered decks provide shading, frame views, and link to a guesthouse and exercise space. A geothermal ground loop system coupled with a large solar PV array take advantage of the site’s renewable energy resources.
Hidden Valley Residence, Moab, Utah, by Marmol Radziner Architecture
Concept and prototype of an architectural unit for German company Richard Lampert. Prefabricated, sustainable sandwich construction. Insulated panels from certified wood with biological paint finish.
Landed, by Eric Degenhardt, for Richard Lampert
The project is located at the urban complex “La Font” in Pollença at the base of an impressive limestone mountain. The project was commissioned by the Bauzà family, thanks to whom I have been able to explore further possibilities on my work field, looking for naked and simple lines, seeking wider perspectives. The house is located at the back of the plot, facing south, maintaining the existing forest of pine and oak trees, framing the mountain’s profile. The exterior of the housing, made of sandstone, uniformly covers facades, sloping roofs and roadways so that it can be observed as a single piece. The distribution is developed mainly on one level, except the first floor. One sole space integrates kitchen, dining room and living area. Specific furniture and a central wooden staircase being the connection, define the use of these areas. Along this line we find the porch, where the sliding blinds work as filters for the light and also maintains intimacy. The wooden staircase leads to the master bedroom and also to the two-floor open studio. When entering the bedrooms from the living areas, the floors change from stone to wood. The location of the pool as well as the rest of the exterior spaces offers direct links to the natural environment of the surroundings.
Casa Bauzà, Pollença, Spain, by Miquel Àngel Lacomba, Photography © Mauricio Fuertes
This 12,000sf weekend residence is set within the Madison Club, a private golf resort located in a small community neighboring Palm Springs, California. The one acre site is oriented along and East – West axis, set on a ridge above the golf course, directly facing the dramatic San Jacinto mountains.
The Madison house is located on a West facing knoll overlooking a dramatic mountain range at the eastern end of the Coachella Valley. The area is known for its extreme summer heat and severe winds. During the winter months however the area is paradise – clear, sunny and temperate days, with cooler nights perfect for the indoor outdoor modern lifestyle made famous in photographs by Julius Shulman.
Madison Club Residence, by Palm Springs, California, USA, for XTEN Architecture
This “target tower” by Zurich-based architects Andreas Fuhrimann and Gabrielle Hächler is actually made solely for the viewing of the annual rowing regattas on Lake Rotsee, and is therefore completely empty and closed for all but three weeks of the year. When in use, the interior features ample room and seating for spectators, jury, and timekeepers, featuring views that can be guided by the shifting panels on the facade.
Lake Rotsee Refuge, Lucerne, Switzerland, by AFGH Architekten