This new build house is set in a landscape of exceptional natural beauty. The scheme employs a series of linear pavilions that step down the gradual fall of the site, creating a meandering path through the house, from the entrance on the west to the living space and sea views on the east.
The collection of mono-pitched volumes are staggered across the site and the spaces between them are orchestrated to create a series of semi-enclosed sheltered courtyards. At the end of the journey, a larger terrace reveals spectacular views of the cliffs, sea and the islands of West Cork. The existing house is roofed in natural slate with rendered white walls. The new structures are entirely clad in Irish blue limestone to appear as shards of rock in the landscape. These will weather over time to match the surrounding cliffs.
House at Goleen, Ireland, by Niall Mclaughlin Architects
The owner is a successful Slovenian businessman who spends some of his spare time in the countryside. The property is situated on the edge of a small village on top of a hill, and consists of farm land, forest, residential building, barn house, apiary and wooden pavilion used as a tool shack. The client decided to replace the broken-down barn house with a new, multi-functional building, a sort of “modern Slovenian hayrack”. The building is intended for dispensing honey, sorting, handling and drying fruit, storage of crops and tools, while the spacious ground floor is intended as a meeting place to host partners from abroad and celebrate family events.
The Black Barn, Šentrupert, Slovenia, by Arhitektura d.o.o.
Photography by Miran Kambič
The client wanted a house where he could enjoy the company of his kids and many friends intensely. For that purpose, he asked for ample and various entertaining areas, such as a cinema room, a recreation room for the children and a sauna. And being a sports enthusiast, he wanted the house to feature a large gym room and a long swimming lane as well.
From the main entrance, one approaches the house – set at the back of the land – by foot, up and through a wooded area, and across a wide garden. The house comes then fully to sight: 4 joined but distinct blocks, respectively covered with pebble-blasted concrete plaques (living quarters), exposed concrete (office), wood planks (entertaining area) and sand-blasted concrete plaques (dining and service areas).
A driveway set at the back of the house can be used by those arriving by car. Past a garage where the owner keeps his antique cars collection and up through a lush indoor garden, one comes to the main floor, where all living and entertaining areas are to find – except for the gym and recreation rooms, located on the lower floor, and the sauna, on the basement.
The location of the house was also defined by (huge) existing trees. An important part of the concept, the decision to build small patios and gardens around them allows for broad natural light and ventilation inside the house, helping to keep temperature cool and pleasant green views whichever way one looks at.
Grecia House, São Paulo, Brazil, by Isay Weinfeld
Palm Springs House, by Michael Johnston, via: Plastolux, Photography © James Haefner
DM Residence, Keerbergen, Belgium, by CUBYC Architects
Photography by Thomas De Bruyne and Koen Van Damme
Camino Norte House, Palm Springs, California, by William F. Cody, via: Plastolux, Photography © James Haefner
Located on a sloping mountain ridge at the foot of the Yatsugatake Mountains, this house was designed on a piece of land that offers spectacular views that are rarely known. Seeking for the best in picturesque scenery, the client took up residence in Tateshina, and spent many years searching for the ideal site for building his house.Inevitably, the main aim of this project is to meet the client’s expectations to incorporate these stunning views in to the design.
When I visited the site, my first impression was that this untapped and expansive nature must be embraced into the interior to the greatest extent possible. I decided to arrange the house in such that this horizontal expanded scenery must be maximized. In order to realize this design, I introduced mega structures column enabling half of the house to extend into the air. To support this large overhanging floor, 2 diagonal bracing steel cylinders, each 300 mm in diameter is introduced. With this, the house is floats in to the midst of a glorious natural surroundings. With this overhanging structure, the breeze of the mountain plateau flow through the interior, makes you coexistent with nature.
When you are invited to the entranceway, after passing through the restrained space of the hallway, and as you enter in to this dramatic space, magnificent and impressive scenery spreads out before your eyes. Living / dining / kitchen area, the majestic panoramic view extends on all three sides is something you can’t find anywhere else, but here in this space. And the scenery is all to your own.
This space is an extravagant experience that only those who have given a privilege to be invited can truly enjoy. Other rooms are planed to offer differing views of the mountains, enabling a variety of views from each of the rooms. The high ceilings and wide wood deck and eaves enable a space steeped in the overwhelming presence of the panoramic views of the area.The feeling is so intense that it is almost as if you are living on a cloud.
The various components have been elevated through careful attention to detailing, and the refinement of the structure gives a sense of tension and unity to the space and adequate materials, achieving the proper balance between a dominance over and a harmony with the surrounding natural environment. The character and humility of this dwelling, constructed without compromising the vision of the architect, expresses a dignified reverence for the scenery surrounding it.
House in Yatsugatake, Nagano, Japan, by Kidosaki Architects Studio
Over the course of… four years, George Nelson, along with his associate Gordon Chadwick, would execute a highly personalized design-a home tailored to the members and lifestyle of the Kirkpatrick family. This itself is not remarkable-it could be said of any architectural commission. What makes the Kirkpatrick House so special-then and now-are the universal qualities that transcend the specifics.
The best Nelson designs, be it a clock, chair, or in this case, home, share that same elusive trait. His view of design allowed for both modular system and mannerist quirk. As an “architect in industry” (as he categorized himself in the introduction to the 1948 Herman Miller Collection catalogue), Nelson was responsible for creating-and making salable-consumer goods. In the Kirkpatrick House, it becomes clear that this mentality affected his practice of architecture in equal measure. A product had to be unique to stand out in the market, but it also had to appeal to a wide array of people to be successful. Even in the execution of this private home for personal friends, Nelson’s brand of modernism embraces this duality fully.
Kirkpatrick House, Kalamazoo, Michigan, by George Nelson, Gordon Chadwick
via: Herman Miller