Ann Van Hoey was an industrial engineer before she discovered ceramics. “Étude Géométrique” (“Geometric Study”) is the name for a series of five bowls which impressively embody the quintessence of her artistry in a contemporary manner. The basis for these pieces, i.e. thinly rolled pieces of clay cut into semicircles, are first joined and shaped into perfectly hemispherical bowls on the potter’s wheel. When the clay has dried so as to be leather-hard, Van Hoey uses a pair of scissors to cut triangular segments from it and joins the ends so as to overlap, thus opening up the path towards new three-dimensional shapes whose logic and clarity do not only fascinate minimalists alone. Without any décor, the clay’s colour and material characteristics are displayed to perfection. The combination of lines and surfaces makes for charming sculptural effects. Inspired by origami, the Japanese art of paper folding, Van Hoey’s crafting technique results in unusual creations that trigger new chains of associations.