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Zaha Hadid has consistently pushed the boundaries of architecture and urban design. Silver Paintings showcases Hadid’s discipline in a new light and medium. The title of the series refers to the surface of the works, which in their raw state resemble polished metal or mirrors, an effect created with a polyester skin treated with chrome and gelatine and then di-bonded.
Initially, the images are digitally generated, then photographed in their virtual state. Once the images are printed they are hand-painted in a medium that complements the subject. This might be stained glass paint (which creates the transparent and cathedral like feel), acrylic and Chinese lacquer (Opaque and POP qualities) or UV resistant ink combined with Vinyl (highly reflective). These techniques combine to suggest a gradual intersection between reflectivity and opacity, from one architectural feature to the next.
Silver Paintings, by Zaha Hadid, at Buchmann Galerie
April 2nd, 2009 at 12:46 am
I don’t always agree, but these techniques are certainly worthy of a look.